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The Music of Java embraces a wide variety of styles, both traditional and contemporary, reflecting the diversity of the island and its lengthy history.Apart from traditional forms that maintain connections to musical styles many centuries old, there are also many unique styles and conventions which combine elements from many other regional influences, including those of neighbouring Asian ...
The literary renaissance of Java in the 18th and 19th centuries, which greatly changed Javanese music, had as one of its first effects the creation of genres of gendhing to accompany bedhaya and serimpi, known as gendhing kemanak and gendhing bedhaya-serimpi. The former were based on a newly composed choral melody, while the latter fitted a new ...
Reog or Réyog (Javanese: ꦫꦺꦪꦺꦴꦒ꧀) is a traditional Indonesian dance in an open arena that serves as folk entertainment and contains some magical elements. The main dancer is a lion-headed person with a peacock feather decoration, accompanied by several masked dancers and Kuda Lumping.
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Komedie Stamboel was an Indo touring comedy company that performed folk entertainment, which was very popular between 1891 and 1903, especially in East Java. [10] It performed tales from One Thousand and One Nights, European folk tales, and local folk tales, such as Ali Baba, Cinderella, and Si Pitoeng. They toured by railway and ship to ...
Commoners usually only have one-word names, while nobilities use two-or-more-word names, but rarely a surname. Due to the influence of other cultures, many people started using names from other languages, mainly European languages. Christian Javanese usually use Latin baptism names followed by a traditional Javanese name. Some people use a ...
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Balinese Music (1991) by Michael Tenzer, ISBN 0-945971-30-3. Included is an excellent sampler CD of Balinese Music. Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese Music (2000) by Michael Tenzer, ISBN 0-226-79281-1 and ISBN 0-226-79283-8. Music in Bali (1966) by Colin McPhee. New Haven, CT: Yale University Press.