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The seal of Mani, the oldest known Manichaean art. Manichaeism has a rich tradition of visual art, starting with Mani himself writing the Book of Pictures. [1]One of Mani's primary beliefs was that the arts (namely painting, calligraphy, and music) were of the same esteem as the divine spirit (Middle Persian: Mihryazd), believing that the creation of art was comparable to god's creation of ...
Thus, this painting is best classified as a late medieval and uniquely Chinese development of Manichaean didactic art. Its thirteenth/fourteenth-century iconography greatly expands upon a core set of Manichaean motifs, while conveying Manichaean doctrine in a distinctly Chinese visual language of its time.
Fragment of Manichaean Wall Painting "MIK Ⅲ 6918" is a fragment of a Manichaean mural collected in Germany Berlin Asian Art Museum, painted around the 10th century AD, and was found by the German Turpan expedition team in the ruins of Gaochang, in Xinjiang. The fragment is 88 centimeters long and 168.5 centimeters wide.
Eight Silk Painting Atlas. Eight silk hanging scrolls with Manichaean didactic images from southern China from between the 12th and the 15th centuries, which can be divided into four categories: Two single portraits (depicting Mani and Jesus) Icon of Mani; Manichaean Painting of the Buddha Jesus; One scroll depicting Salvation Theory (Soteriology)
Therefore, this silk painting can be best interpreted as a didactic work of art designed as a visual aid for religious instruction. If so, this painting constitutes a prime example of such an image that was used by a Manichaean community in ca. 13th-century southern China, possibly in the region of Ningbo, in Zhejiang province. [4]
The Birth of Mani is a Manichean silk cloth color painting painted in the Fujian Zhejiang area during the Yuan period, depicting the founder of the sect Mani The scene of birth, a scholar who specializes in Manichaeism Ma Xiaohe called it "a rare treasure". [1]
Mani's Community Established (Japanese: 圣者伝図2) is a Manichaen silk color painting drawn in the coastal area of southern China during the yuan to ming period, [1] depicts the missionary history of Manichaeism and the establishment of its churches in three scenes. The preservation is intact and undamaged.
Following the discovery of Manichaean paintings in Turfan, art historian Thomas W. Arnold suggested that the Manichaean tradition of illustrative bookmaking was the source of Persian miniature painting style during the time of the Safavid Empire. Arnold stated: "The only other religious art that could have produced these pictures was the ...
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