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Arts criticism is the process of describing, analyzing, interpreting, and judging works of art. [1] The disciplines of arts criticism can be defined by the object being considered rather than the methodology (through analysis of its philosophy): buildings (architecture criticism), paintings (visual art criticism), performances (dance criticism, theatre criticism), music (music journalism ...
Art criticism includes a descriptive aspect, [3] where the work of art is sufficiently translated into words so as to allow a case to be made. [2] [3] [7] [11] The evaluation of a work of art that follows the description (or is interspersed with it) depends as much on the artist's output as on the experience of the critic.
The term originated in the 17th century, derived from the practice of throwing bricks as projectiles at a person who was disapproved of. [ 10 ] [ 11 ] In some contexts, such as literary criticism and art criticism , the word criticism is used as a neutral word that is synonymous with evaluation.
An art critic is a person who is specialized in analyzing, ... He coined the term "Neo-impressionism" in 1886. Portrait of Clive Bell (1881-1964), by Roger Fry ...
In literary and historical analysis, presentism is a term for the introduction of present-day ideas and perspectives into depictions or interpretations of the past. Some modern historians seek to avoid presentism in their work because they consider it a form of cultural bias, and believe it creates a distorted understanding of their subject matter. [1]
Aesthetic reading differs from efferent reading in that the former describes a reader coming to the text expecting to devote attention to the words themselves, to take pleasure in their sounds, images, connotations, etc. Efferent reading, on the other hand, describes someone, "reading for knowledge, for information, or for the conclusion to an ...
Donald Trump mocked Canadian Prime Minister Justin Trudeau over his top minister’s surprise resignation — after the pair clashed on how to handle the president-elect’s looming tariffs.
Aristotle observed that while we interpret propositions drawn from judgements and call them "true" and "false", the objects that the terms try to represent are only "true" or "false"—with respect to the judging act or communicating that judgement—in the sense of "well-chosen" or "ill-chosen". [9]: VI.4