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Steampunk is a subgenre of science fiction that incorporates retrofuturistic technology and aesthetics ... (1962) and Ronald W. Clark's Queen Victoria's Bomb (1967) ...
Steampunk is a subgenre of science fiction, fantasy and speculative fiction that came into prominence in the 1980s and early 1990s. The term denotes works set in an era or world wherein steam power is still widely used—usually the 19th century, and often set in Victorian era England—but with prominent elements of either science fiction or fantasy, such as fictional technological inventions ...
Queen Victoria's Bomb is a steampunk [2] novel by Ronald W. Clark, published in 1967. [1] Its plot surrounds the invention of a nuclear weapon in the Victorian era which might be used to win the Crimean War .
Example of steampunk fashion. Steampunk fashion is a subgenre of the steampunk movement in science fiction. It is a mixture of the Victorian era's romantic view of science in literature and elements from the Industrial Revolution in Europe during the 1800s. Steampunk fashion consists of clothing, hairstyling, jewellery, body modification and ...
Steampunk (2008) is an anthology of ... “Victoria” by Paul Di Filippo “Reflected Light” by Rachel E. Pollock [1] [5] (misprinted as Rachel Pollack in the ...
Cephalopods generally have become a theme animal for steampunk, so that Kesinger found the choice of octopus as Victoria's soulmate an easy one to make. The popularity of Otto and Victoria, though, came as a surprise, as did the fan art, tattoos and the appearance of women cosplaying Victoria at conventions. He plans to produce a full-length ...
Weekend at the Asylum (commonly shortened to just The Asylum) is likely the largest [1] and longest running steampunk festival in the world. [2] Since 2009, [ 3 ] the festival (or convivial in steampunk parlance) has been held each year in Lincoln and currently stretches over multiple venues in the historic cathedral quarter of Lincoln town ...
In science fiction circles (especially in genres like steampunk), Victoriana is used loosely to describe mock-Victorian worlds, where visual references to the machinery of the Industrial Revolution are incorporated into urban, romanticized pastiches with fantastic creatures and imagined mechanical contraptions.