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Open matte is a filming technique that involves matting out the top and bottom of the film frame in the movie projector (known as a soft matte) for the widescreen theatrical release and then scanning the film without a matte (at Academy ratio) for a full screen home video release. It is roughly equivalent to an uncropped version of the film.
The Public Service Broadcasting Trust (PSBT) annually hosts the Open Frame film festival and forum, dedicated to fostering a meaningful discourse on contemporary issues through the exploration of documentary films from India and around the world.
The film, completed in 2003, has been screened at the 9th Open Frame Festival. [ 12 ] Five years later, Joshi came out with Profiles of Courage and Compassion , a book she co-authored with Indian activist, Harsh Mander titled, Towards Healing: Seeking Paths for Justice and Reconciliation in Gujarat .
For video transfers, transferring a "soft matte" film to a home video format with the full frame exposed, thus removing the mattes at the top and bottom, is referred to as an "open matte transfer." In contrast, transferring a "hard matte" film to a home video format with the theatrical mattes intact is referred to as a "closed matte transfer."
Film stock made of nitrate, acetate, or polyester bases is the traditional medium for capturing the numerous frames of a motion picture, widely used until the emergence of digital film in the late 20th century. film theory film transition film treatment filmmaking. Sometimes used interchangeably with film production.
Normally, 24 frames are needed for one second of film. In ordinary filming, the frames are photographed automatically, one after the other, in a movie camera. In special effects or animation filming, the frames are often shot one at a time. The size of a film frame varies, depending on the still film format or the motion picture film format.
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A modified aspect ratio transfer is achieved by means of pan and scan or EAR (Expanded Aspect Ratio)/open matte, the latter meaning removing the cinematic matte from a 2.40:1 film to open up the full 1.33:1 frame or from 2.40:1 to 1.43:1 in IMAX. Another name for it is rescaled aspect ratio.