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Poems of 1912–1913 are an elegiac sequence written by Thomas Hardy in response to the death of his wife Emma, in November 1912. An unsentimental meditation upon a complex marriage, [ 1 ] the sequence's emotional honesty and direct style made its poems some of the most effective and best-loved lyrics in the English language.
In 133 cantos, including the prologue and the epilogue, Tennyson uses the stylistic beats of tetrameter to address the subjects of spiritual loss and themes of nostalgia, philosophic speculation, and Romantic fantasy in service to mourning the death of his friend, the poet A. H. Hallam; thus, in Canto IX, Tennyson describes the return of the ...
The next earliest example is by an anonymous author, probably of the 1st century BCE, lamenting the death of Bion; this poem has sometimes been attributed to the Hellenistic poet Moschus. [8] Virgil's "Eclogue 5," written in the 1st century BCE, is the most imitated ancient model of the pastoral elegy.
Psalm 119:28 “My spirit sags because of grief. Now raise me up according to your promise!” The Good News: This verse is conveying the feeling of being emotionally exhausted and sad.When we ...
The 37-line poem reads like a series of disasters that will befall the English people after the death of the king. According to Lois Bragg, it is divisible into six sections, the last four of which share the theme of disaster: ll. 1–2, the death of King Edgar; ll. 13–15, the death of bishop Cyneweard of Glastonbury
Carson Daly remembered his late mother on the anniversary of her death with a poignant poem he said "really saved" him when he was "in the grip of crippling grief" after losing her.. Carson shared ...
It is a scene of desolation and despair. The wind moans in a grief that cannot be expressed in words; the rain storm billows in vain; the trees are barren and their branches strain under the unceasing onslaught. A gloom pervades the world. A dirge is a song meant to invoke and express the emotions of grief and mourning that are typical of a ...
The poem was five stanzas long when it first appeared in the 1936 verse play The Ascent of F6, written by Auden and Christopher Isherwood. It was written as a satiric poem of mourning for a political leader. [1] In the play, the poem was put to music by the composer Benjamin Britten and read as a blues work. [2]