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The four major town houses – Hôtel Tassel, Hôtel Solvay, Hôtel van Eetvelde, and Maison & Atelier Horta – located in Brussels and designed by the architect Victor Horta, one of the earliest initiators of Art Nouveau, are some of the most remarkable pioneering works of architecture of the end of the 19th century.
The four major town houses—Hôtel Tassel, Hôtel Solvay, Hôtel van Eetvelde, and Maison & Atelier Horta—located in Brussels and designed by the architect Victor Horta, one of the earliest initiators of Art Nouveau, are some of the most remarkable pioneering works of architecture of the end of the 19th century. The stylistic revolution ...
Stairway of the Hôtel Tassel, an early example of Gesamtkunstwerk. A Gesamtkunstwerk (German: [ɡəˈzamtˌkʊnstvɛʁk] ⓘ, literally 'total artwork', translated as 'total work of art', [1] 'ideal work of art', [2] 'universal artwork', [3] 'synthesis of the arts', 'comprehensive artwork', or 'all-embracing art form') is a work of art that makes use of all or many art forms or strives to do so.
The Art Nouveau movement of architecture and design first appeared in Brussels, Belgium, in the early 1890s, and quickly spread to France and to the rest of Europe.It began as a reaction against the formal vocabulary of European academic art, eclecticism and historicism of the 19th century, and was based upon an innovative use of new materials, such as iron and glass, to open larger interior ...
Victor Horta was born in Ghent, Belgium, on 6 January 1861.His father was a master shoemaker, who, as Horta recalled, considered craftsmanship a high form of art. The young Horta began by studying music at the Royal Conservatory of Ghent.
Khloé Kardashian spent her Christmas morning cheffin' it up in style.. On Dec. 25, the Good American founder, 40, shared a relatable clip of her dressed in a short-sleeve tee, flannel pajama ...
The Belgian architect Victor Horta was among the first to introduce the whiplash curve into Art Nouveau architecture, particularly in the wrought iron stairways and complementary ceramic floors and painted walls of the Hôtel Tassel in Brussels (1892–93). The lines were inspired by the curving stems of plants and flowers.
This explicit shushing is a common thread throughout the Grimms' take on folklore; spells of silence are cast on women more than they are on men, and the characters most valued by male suitors are those who speak infrequently, or don't speak at all. On the other hand, the women in the tales who do speak up are framed as wicked.