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The Loft was the location for the first underground dance party (called "Love Saves the Day") organized by David Mancuso, on February 14, 1970, in New York City.Since then, the term "The Loft" has come to represent Mancuso's own version of a non-commercial party where no alcohol, food, nor beverages are sold.
Sounds of the Seventies was a 40-volume series issued by Time-Life during the late 1980s and early-to-mid 1990s, spotlighting pop music of the 1970s.. Much like Time-Life's other series chronicling popular music, volumes in the "Sounds of the Seventies" series covered a specific time period, including individual years in some volumes, and different parts of the decade (for instance, the early ...
The original Sounds of the Seventies was a Radio 1 programme broadcast on weekdays, initially 18:00–19:00, subsequently 22:00–00:00, on during the early 1970s. Among the DJs were Mike Harding, Alan Black, Pete Drummond, Annie Nightingale, John Peel (who alone had two shows per week), and Bob Harris (who started presenting the show on 19 August 1970 by playing Neil Young's "Cinnamon Girl"). [1]
A 12" single was released in 1978, with "Dance (Disco Heat)" as the A-side and "You Make Me Feel (Mighty Real)" as the B-side, and these two extended dance mixes proved to be very popular in dance clubs at the time. The two songs held down the top spot on the Billboard Dance/Disco chart for six weeks in August and September 1978. [8]
This is a list of notable club DJs, professionals who perform at nightclub venues or other dance events, or who have been pioneers in the development of the role of the club DJ. DJs play a mix of recorded music for an audience at a bar, nightclub , dance club , or rave who dance to the music.
Side-A label of the 1977 US vinyl single "Disco Inferno" is a song by American disco band the Trammps from their 1976 studio album of same name.With two other cuts by the group, it reached No. 1 on the US Billboard Dance Club Songs chart in early 1977, but had limited mainstream success until 1978, after being included on the soundtrack to the 1977 film Saturday Night Fever, when a re-release ...
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And only in the '70s did genres start asserting themselves: singer-songwriter and interpreter, art-rock and heavy metal and country-rock and boogie, fusion and funk and disco and black MOR, punk and new wave, and somehow straddling them all, the monolith of pop-rock." [12]