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Print/export Download as PDF; Printable version; ... Appearance. move to sidebar hide. Help. Pages in category "Byzantine icons" The following 14 pages are in this ...
The emblem mostly associated with the Byzantine Empire is the double-headed eagle. It is not of Byzantine invention, but a traditional Anatolian motif dating to Hittite times, and the Byzantines themselves only used it in the last centuries of the Empire. [11] [12] The date of its adoption by the Byzantines has been hotly debated by scholars. [9]
English: Square version of the Byzantine imperial ensign (βασιλικόν φλάμουλον) under the Palaiologos dynasty, as exactly depicted in the Guillem Soler's portolan chart of c. 1380 and the Catalan Atlas of 1375.
English: The Byzantine imperial ensign (βασιλικόν φλάμουλον) under the Palaiologos dynasty, as exactly depicted in the Guillem Soler's portolan chart of c. 1380, the portolan chart of Gabriel de Vallseca of 1439 and 1447 and the Catalan Atlas of 1375.
Christ Pantocrator of Saint Catherine's Monastery is one of the oldest Byzantine religious icons, dating from the 6th century AD. [1] The earliest known surviving depiction of Jesus Christ as Pantocrator (literally ruler of all ), it is regarded by historians and scholars among the most important and recognizable works in the study of Byzantine ...
Religious images or icons were made in Byzantine art in many different media: mosaics, paintings, small statues and illuminated manuscripts. [1] Monasteries produced many of the illuminated manuscripts devoted to religious works using the illustrations to highlight specific parts of text, a saints' martyrdom for example, while others were used ...
Byzantine Iconoclasm, Chludov Psalter, 9th century. [10]Christian worship by the sixth century had developed a clear belief in the intercession of saints. This belief was also influenced by a concept of hierarchy of sanctity, with the Trinity at its pinnacle, followed by the Virgin Mary, referred to in Greek as the Theotokos ("birth-giver of God") or Meter Theou ("Mother of God"), the saints ...
The usage of gold leaf in Byzantine artwork is indicative that the work is meant to be divine and spiritual. [14] The icon was created by incorporating egg tempera on gold leaf over a wooden panel. [4] The wood panel then is covered with gesso and linen. [4] [5] The icon has a height of 37.8 cm, a width of 31.4 cm and a depth of 5.3 cm. [4]