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Portrait of a Man is a c.1660 oil-on-canvas portrait of an unknown subject by the Dutch artist Frans Hals, produced late in his career. Acquired by Édouard André , it is now in the Musée Jacquemart-André in Paris.
The portrait, as a literary genre, is a written description or analysis of a person or thing. A written portrait often gives deep insight, and offers an analysis that goes far beyond the superficial. It is considered a parallel to pictorial portraiture. The imitation of painting is apparent in the name of the genre itself, which is a painting term.
Pope's Essay on Man and Moral Epistles were designed to be the parts of a system of ethics which he wanted to express in poetry. Moral Epistles has been known under various other names including Ethic Epistles and Moral Essays. On its publication, An Essay on Man received great admiration throughout Europe.
Portrait of a Man in Red Chalk, a c. 1510 chalk drawing by Leonardo da Vinci; Portrait of a Man in a Top Hat, an 1882 graphite drawing by Vincent van Gogh; Portrait of a Man in a Yellowish-Gray Jacket, a 1633 painting by Frans Hals; Portrait of a Man, probably a Member of the Van Beresteyn Family, a 1632 painting by Rembrandt
Self-portrait; Self-Portrait in a Convex Mirror by John Ashbery: the portrait is the subject of a long poem in a poetry collection by Ashbery, both the poem and the collection of the same name. The book won all three of the major prizes awarded to collections by American poets.
He concludes that the best way to assess character is by discovering a ‘ruling passion’ (an idea previously found in An Essay on Man), [2] which may appear most significantly at a person’s death, and which ‘clue once found unravels all the rest’ (l. 178). The ideal of this is, predictably, the recipient of the poem: ‘And you!
In fact, the poem is Josuah Sylvester's translation of a French devotional poem by Simon Goulart. [7] Roger B. Stein finds that 'the poem is the central organizing element, the key to the picture—to its design, to the relationship of its parts to one another, and to its meaning both as individual work and as an artefact within its larger ...
The poem is the epitaph of a man identified only by a combination of letters and numbers, JS/07/M/378, who is described entirely in external terms: from the point of view of government organizations such as the fictional "Bureau of Statistics." The speaker of the poem concludes that the man had lived an entirely average, therefore exemplary, life.
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