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Shaft is a 1971 American blaxploitation crime action thriller film directed by Gordon Parks and written by Ernest Tidyman [4] and John D. F. Black. [5] It is an adaptation of Tidyman's novel of the same name and is the first entry in the Shaft film series.
An exploitation film is a film that tries to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low-quality "B movies", [1] though some set trends, attract critical attention, become historically important, and even gain a cult following. [2]
Faster, Pussycat! Kill! Kill! is a 1965 American exploitation film directed by Russ Meyer and co-written by Meyer and Jack Moran. It follows three go-go dancers who embark on a spree of kidnapping and murder in the California desert.
Mark Lester said, "My movies were always harking back to exploitation movies of the '40s and '50s" and that he was particularly inspirde by White Heat (1949). "When she runs around the cattle truck shooting her gun off in that scene, I was thinking of the scene where James Cagney is shooting off the gun in the trunk of the car."
Rolling Vengeance, also known as Monster Truck, is a 1987 Canadian exploitation film directed by Steven Hilliard Stern and starring Don Michael Paul and Ned Beatty.The movie follows a truck driver who builds a special, eight-ton truck to help get revenge against the rednecks who killed his family and raped his girlfriend. [1]
The biggest stars in movies and TV aren't always the actors. From the General Lee to James Bond's Aston Martins, these cars found in TV shows and movies can be real scene-stealers, too.
In 1938 [9] [10] or 1939, [11] [12] Esper began distributing it on the exploitation circuit [2] where it was originally released in at least four territories, each with its own title for the film: [13] the first territory to screen it was the South, where it went by Tell Your Children (1938 or 1939). [14]
In US cinema, Blaxploitation is the film subgenre of action movie derived from the exploitation film genre in the early 1970s, consequent to the combined cultural momentum of the Black civil rights movement, the black power movement, and the Black Panther Party, political and sociological circumstances that facilitated Black artists reclaiming their power of the Representation of the Black ...
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