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Lamps from the 1890s consisted of a stand, font, chimney, and often a shade. [24] The font (also spelled "fount") held the kerosine for the lamp. [25] The chimney was a glass tube placed around the lamp's flame that had a bulge at the base that kept drafts away from the flame and added extra illumination. [26]
Note 4] Production of tableware, bar goods, and lamps began on December 15, 1887. [15] The glass men that formed the new company had gained their experience from working at the Hobbs, Brockunier and Company glass plant in Wheeling. Lucian B. Martin, the company's first president, had been a sales executive at the Hobbs works. [3]
Following this, the placement of an oil lamp with a picture of Jesus with the Sacred Heart iconography became common in Irish homes [1] to signify the household being consecrated to the Sacred Heart. [2] Originally an oil lamp with a red glass holder on a bracket, it was kept lit as a perpetual flame. [3]
Fenton had a long history of decorating glass that goes back to its beginnings in 1905. [1] The Fenton Art Glass company started out as a decorating company that purchased blanks from glass manufacturers and placed their own decorations on them. [2] Fenton did not manufacturer glass until 1907 a year after the Williamstown, WV plant was built. [2]
Handel Company lamp design (1900–1930) at the Metropolitan Museum of Art [1]. The Eydam and Handel Company, or Adolph Eydam and Philip Handel Company, was formed in 1885, until partnership broke up in 1892 when Eydam moved to rival company of C. F. Monroe (Eydam returned in 1915 to head up decorating department).
When viewed in reflected light, as in this flash photograph, the cup's dichroic glass is green in colour, whereas when viewed in transmitted light, the glass appears red. The Lycurgus Cup is a Roman glass 4th-century cage cup made of a dichroic glass , which shows a different colour depending on whether or not light is passing through it: red ...
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