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Tulip and willow design for printed textiles (1873) William Morris (1834-1898), a founder of the British Arts and Crafts movement, sought to restore the prestige and methods of hand-made crafts, including textiles, in opposition to the 19th century tendency toward factory-produced textiles. With this goal in mind, he created his own workshop ...
[2] [1] Kumiko panels slot together and remain in place through pressure alone, and that pressure is achieved through meticulously calculating, cutting, and arranging interweaving joints. The end-result is a complex pattern that is used primarily in the creation of shoji doors and screens. [3] Traditionally, the wood of choice was the hinoki ...
Design for a hand woodblock printed textile, showing the complexity of the blocks used to make repeating patterns in the later 19th century. Tulip and Willow by William Morris, 1873. Woodblock printing on textiles is the process of printing patterns on fabrics, typically linen, cotton, or silk, by means of carved wooden blocks.
Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later on paper.
In the field of textile design, Morris revived a number of dead techniques, [268] and insisted on the use of good quality raw materials, almost all natural dyes, and hand processing. [269] He also observed the natural world first hand to gain a basis for his designs, [270] and insisted on learning the techniques of production prior to producing ...
Marquetry (also spelled as marqueterie; from the French marqueter, to variegate) is the art and craft of applying pieces of veneer to a structure to form decorative patterns or designs. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial ...
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