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Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. [1]
A musician who plays any instrument with a keyboard. In Classical music, this may refer to instruments such as the piano, pipe organ, harpsichord, and so on. In a jazz or popular music context, this may refer to instruments such as the piano, electric piano, synthesizer, Hammond organ, and so on. Klangfarbenmelodie (Ger.)
Hymns and Variations, for twelve amplified voices (January 1979) Roaratorio, an Irish circus on Finnegans Wake, tape (April – September 1979; a realization of ____,____ ____ circus on ____, a set of instructions on transcribing any book for any ensemble) Improvisation III, for four or more cassette players (February 1980)
Vaughan Williams was the musical editor [17] of the English Hymnal of 1906, and the co-editor with Martin Shaw of Songs of Praise of 1925 and the Oxford Book of Carols of 1928, all in collaboration with Percy Dearmer. In addition to arranging many pre-existing hymn tunes and creating hymn tunes based on folk songs, he wrote several original ...
During each show, McKenna, Reino, and a guest improvise an entire narrative musical while Scott Passarella plays the piano. [2] Each week the musical is started out by their guest, and the rest of the show is based on the guest's introduction. [3] Sometimes the guests do not have a background or experience with singing. [4]
Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of composition, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice.
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During the Georgian era, the music of George Frideric Handel was highly significant, with his repertoire of anthems, canticles and hymns, although he never held a church post. [15] Up until the early 19th century, most Anglican church music in England was centred around the cathedrals, where trained choirs would sing choral pieces in worship.