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Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. [1]
Intuitive music is a form of musical improvisation based on instant creation in which fixed principles or rules may or may not have been given. It is a type of process music where instead of a traditional music score, verbal or graphic instructions and ideas are provided to the performers. [ 1 ]
Derek Bailey (29 January 1930 – 25 December 2005) was an English avant-garde guitarist and an important figure in the free improvisation movement. [1] Bailey abandoned conventional performance techniques found in jazz, exploring atonality, noise, and whatever unusual sounds he could produce with the guitar.
The hymn book is available in harmony, melody line (with guitar chords), large print, software and audio CD editions. The harmony version contains multiple indexes of tunes, metres, composers and arrangers, authors and translators, texts based on scripture passages, subjects, the church year, first lines and common titles (but not the guitar ...
A hymnal or hymnary is a collection of hymns, usually in the form of a book, called a hymnbook (or hymn book). They are used in congregational singing . A hymnal may contain only hymn texts (normal for most hymnals for most centuries of Christian history); written melodies are extra, and more recently harmony parts have also been provided.
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The reformer Martin Luther, a prolific hymnodist, regarded music and especially hymns in German as important means for the development of faith.. Luther wrote songs for occasions of the liturgical year (Advent, Christmas, Purification, Epiphany, Easter, Pentecost, Trinity), hymns on topics of the catechism (Ten Commandments, Lord's Prayer, creed, baptism, confession, Eucharist), paraphrases of ...
Raymond MacDonald is a saxophonist, composer and psychologist with an extensive career in music, cross-disciplinary arts and academia. [1] Much of his work explores the boundaries and ambiguities between what is conventionally seen as improvisation and composition. [ 2 ]