Search results
Results from the WOW.Com Content Network
Overtures were popular in 1950s and 1960s Hollywood musicals (particularly those of Rodgers and Hammerstein) but have become less common since. [1] In many cases, these overtures have been cut from TV and video releases and can only be found on "restored" DVD, Blu-ray and Ultra HD Blu-ray versions, if at all.
"Cor meum conturbatum" in g minor for choir and orchestra "Ecce enim veritatem" in G major for bass, three violas, double-bass and organ "Fremat tirannus" in C major, motet for soprano, choir and orchestra (1778) "Magna est virtus" - lost - "Misericordius Dominus" in E-flat major, duet for soprano, bass, violine and orchestra
Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.
In the Baroque and Classical periods, G major was one of the most often used keys. Classical symphonies in G major typically had horns in G, but no trumpets. In the Romantic era, the key was less often used. The following list only includes the most famous works. Antonín Dvořák. Symphony No. 8, Op. 88, B. 163 (1889) George Dyson
Rhapsody in Blue (1924), Gershwin's most famous classical work, a symphonic jazz composition for Paul Whiteman's jazz band & piano, premiered at Aeolian Hall, New York City, better known in the form orchestrated for full symphonic orchestra. Both versions were orchestrated by Ferde Grofé. Featured in numerous films and commercials.
Sonata in G major (HWV 358) Sonata in G major for two flutes and basso continuo, BWV 1039; Sonatina in G major (attributed to Beethoven) St. Cecilia Mass; Stand and Sing of Zambia, Proud and Free; Ständchen, WAB 84.2; State Anthem of Uzbekistan; String Duo No. 1 (Mozart) String Quartet No. 3 (Britten) String Quartet No. 1 (Mozart)
Leonore No. 3 is well known for portraying some of the major events of the plot in a condensed, purely orchestral form, most notably the distant trumpet fanfares of the finale. Next to the actual, finalized Fidelio overture, this is the most commonly performed version, and still sometimes replaces the Fidelio overture in some productions.
The substantial overture commences with the theme of the 'Pilgrim's Chorus' from act 3, scene 1, and also includes elements of the 'Venusberg' music from act 1, scene 1. The overture is frequently performed as a separate item in orchestral concerts, the first such performance having been given by Felix Mendelssohn conducting the Leipzig ...