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Skull art is found in various cultures of the world. Indigenous Mexican art celebrates the skeleton and uses it as a regular motif. The use of skulls and skeletons in art originated before the Conquest : The Aztecs excelled in stone sculptures and created striking carvings of their Gods. [ 1 ]
Untitled is a painting created by American artist Jean-Michel Basquiat in 1982. The artwork, which depicts a skull, is among the most expensive paintings ever. In May 2017, it sold for $110.5 million at Sotheby's, the highest price ever paid at auction for artwork by an American artist in a public sale.
Skull and crossbones; Skull art; Skull mexican make-up; Skull of a Skeleton with Burning Cigarette; Sleeping Venus (Delvaux) St. Francis in Ecstasy (Zurbarán) Still Life: An Allegory of the Vanities of Human Life; Sueño de una Tarde Dominical en la Alameda Central
When it was purchased some months later, the word "Skull" was added to the title and has accompanied the painting ever since, through numerous exhibitions. Hoffman suggests the change in title was "the result of confusing the work with the more traditional iconography of the memento mori, in which a skull implies death." [2]
In the human skull, the frontal bone or sincipital bone is a unpaired bone which consists of two portions. [1] These are the vertically oriented squamous part, and the horizontally oriented orbital part, making up the bony part of the forehead, part of the bony orbital cavity holding the eye, and part of the bony part of the nose respectively.
The human skull is an obvious and frequent symbol of death, found in many cultures and religious traditions. [1] Human skeletons and sometimes non-human animal skeletons and skulls can also be used as blunt images of death; the traditional figures of the Grim Reaper – a black-hooded skeleton with a scythe – is one use of such symbolism. [2]
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Pyramid of Skulls is an oil on canvas painting produced in 1901. The subject matter was depicted in a pale light against a dark background. The composition is notable for the closeness of the skulls to the viewer. [3] Paul Cézanne. Three Skulls, 1902–1906, graphite and watercolor on paper. Art Institute of Chicago.