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Thomas Tyrone "Tye" Tribbett (born January 26, 1976) is an American gospel music singer, songwriter and a keyboardist. [1] He is a choir director and founder of the Grammy-nominated and Stellar Award-winning gospel group Tye Tribbett & G.A. (short for 'Greater Anointing.') [ 2 ]
A. Robins – vaudeville's "The Banana Man" and "One Man Music Shop" Alan Clay – international clown teacher and performer; author of Angels Can Fly, a Modern Clown User Guide; Alex the Jester – "King of Jesters," speaks a contemporary version of the medieval gibberish language Grammelot. Andy Kaufman – American comic and practitioner of ...
A clown is a person who performs physical comedy and arts in an open-ended fashion, typically while wearing distinct makeup or costuming and reversing folkway-norms.The art of performing as a clown is known as clowning or buffoonery, and the term "clown" may be used synonymously with predecessors like jester, joker, buffoon, fool, or harlequin.
A circus is a company of performers who put on diverse entertainment shows that may include clowns, acrobats, trained animals, trapeze acts, musicians, dancers, hoopers, tightrope walkers, jugglers, magicians, ventriloquists, and unicyclists as well as other object manipulation and stunt-oriented artists.
The Pickle Clowns: New American Circus Comedy by Joel Schechter. ISBN 0-8093-2356-7. Publisher: Southern Illinois Univ Pr (Tx) - August, 2001. Here Come the Clowns: A Cavalcade of Comedy from Antiquity To the Present by Lowell Swortzell ISBN 0-670-36874-1 Publisher: Viking Press; 1st ed edition (1978)
Yes, it's true: The fear of clowns is so strong that there's even a phobia called coulrophobia — an extreme or irrational fear of clowns or clown images, signs of which can appear in children as ...
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Urban/contemporary gospel, also known as urban gospel music, urban gospel pop, or just simply urban gospel, is a modern subgenre of gospel music. Although the style developed gradually, early forms are generally dated to the 1970s, and the genre was well established by the end of the 1980s. The radio format is pitched primarily to African-Americans