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Leaving It All Behind is the fifth studio album by the American rock band the Grass Roots, released in November 1969 by Dunhill Records. Following the departure of Creed Bratton, who left in April 1969, [3] seasoned musician Dennis Provisor joined the group, solidifying the new direction of the band. Terry Furlong and Brian Naughton became ...
Phrenology is the fifth studio album by American hip hop band the Roots, released on November 26, 2002, by MCA Records.Recording sessions for the album took place during June 2000 to September 2002 [1] at Electric Lady Studios in New York. [2]
In 1999, the Roots' fourth album Things Fall Apart became the band's biggest success. The album was certified gold in the US, [4] and its single "You Got Me" peaked at number thirty-nine on the Billboard Hot 100, and number nineteen on the Hot Rap Tracks chart. [5] "You Got Me" won the Grammy Award for Best Rap Performance by a Duo or Group in ...
More Golden Grass is the second compilation album by the American rock band the Grass Roots, released in September 1970 by Dunhill Records. It includes the No. 15 charting single "Temptation Eyes", the No. 61 charting single "Come On And Say It", and the No. 35 charting single "Baby Hold On". The album charted at No. 152. [2]
It was the first of three single releases from the group's fifth LP, Leaving It All Behind, and is among the group's five greatest hits. It was written by Gary Zekley and Mitchell Bottler. The album version contains a slow organ intro and a longer fadeout, increasing the track's length by almost a minute.
Their 16 Greatest Hits is the third compilation album by the American rock band the Grass Roots. It was originally released by Dunhill Records in September 1971 [1] shortly after the success of "Sooner or Later" earlier that year (see 1971 in music). [4] The album also included many other hit singles that were released from 1966 to 1971. The ...
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The album debuted at number four on the U.S. Billboard 200 chart, selling 109,000 copies in its first week. [21] Despite mixed criticism towards its production and lyrical substance, [5] [9] [17] [22] The Tipping Point received generally positive reviews from most music critics, based on an aggregate score of 72 out of 100 on Metacritic. [14]