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Sakura Sakura played in 1959 by three artists from Tokyo's University of Art on three different Koto's (17 string, 13 string and 9 string) Link to mp3 recording of Sakura, Sakura, the Japanese lyrics with another verse, an English translation and sheet music; Sakura Sakura: Scores at the International Music Score Library Project
More recent theory [2] emphasizes that it is more useful in interpreting Japanese melody to view scales on the basis of "nuclear tones" located a fourth apart and containing notes between them, as in the miyako-bushi scale used in koto and shamisen music and whose pitches are equivalent to the in scale: [3]
Kiyoshige Koyama (小山 清茂, Koyama Kiyoshige, January 15, 1914 – June 6, 2009), was a Japanese composer for orchestras, vocal, and traditional Japanese instrumentation.
Sakura-Variationen (Sakura Variations) is a 2000 trio composition scored for saxophone, piano, and percussion by Helmut Lachenmann. It is written in the form of variations on a Japanese folk song about the cherry blossom called "Sakura Sakura". It was published by Breitkopf & Härtel. [1] In 2008, Lachenmann expanded the work to Sakura mit ...
Chamber music: 1968: クロス・トーク: Cross Talk: for bandoneón and tape: Chamber music: 1969: スタンザ I: Stanza I: for guitar, harp, piano (also celesta), vibraphone and female voice (soprano) Chamber music: 1970: 四季: Seasons: for 4 percussion players, or 1 percussion player and tape: also version for traditional Japanese ...
Sakura Saku Machi Monogatari is a pop rock and folk pop record depicting love and scenes in all four seasons. [12] According to Tower Records, it is an album with various emotions and scenes from spring, summer, autumn and winter that unfold as one "town story" and carries a fast-paced sound and "nostalgic" song titles with a Japanese atmosphere. [13]
Iran has confirmed the arrest of Italian journalist Cecilia Sala, state news agency IRNA said, citing the Iranian Ministry of Culture.
The azumagoto or yamatogoto was called the wagon, the kin no koto was called the kin, and the sau no koto (sau being an older pronunciation of 箏) was called the sō or koto. The modern koto originates from the gakusō used in Japanese court music . It was a popular instrument among the wealthy; the instrument was considered a romantic one.