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"Funny" is a song by German-Russian music producer Zedd and English singer Jasmine Thompson. The two artists wrote the song with Michael Pollack and Casey Smith, as well as Jordan K. Johnson, Marcus Lomax and Stefan Johnson from the American production and songwriting team The Monsters & Strangerz, who produced the song with Zedd.
In the comic strip, Huey's best friend is Michael Caesar, who effectively counters Huey's pessimistic world outlook with his upbeat personality and temperament. In the television series, this role is played by Huey's neighbor Jazmine Dubois, who balances Huey's character with her childlike, naive innocence, often causing Huey to have to resolve ...
The Boondocks was a daily syndicated comic strip written and originally drawn by Aaron McGruder that ran from 1996 to 2006. Created by McGruder in 1996 for Hitlist.com, an early online music website, [1] it was printed in the monthly hip hop magazine The Source in 1997.
Writer Terence Latimer asserts that many of the characters in The Boondocks can be seen as caricatures and personifications of recurring identities and ideologies in the Black-American community: Riley Freeman personifies Black pop culture, Huey Freeman represents Black counterculture, Jazmine Dubois is representative of biraciality and loss of ...
Huey's debut album for the label, Notebook Paper, was released in mid-2007, described by AllMusic as sounding like a mixture of Nelly, Chingy, and Ludacris. [7] [8] The album reached number 26 on the Billboard 200 chart and number 10 on the Top R&B/Hip-Hop Albums chart. [9] "
Huey also dislikes Tom because he encourages his daughter to conform to a more European look rather than emphasizing the beauty of her African features, as shown when Tom mentions that he's tried everything to make Jazmine's hair straighter. Despite Huey's ideological disagreements with Tom, the two are shown generally to be on good terms and ...
The bass tones are amazing. Is there a secret sauce that made the song work, sonically? Thank you. We took a really natural approach to that at a place in east L.A. called Sargent Recorders.
Huey is skeptical at first, thinking that Uberwitz will get fired for making this offer, but accepts on the condition that Uberwitz sign an agreement giving him full creative control. He begins writing a new play that adheres to his unique vision, sets up an office to manage the organizational work, and hires Quincy Jones as music director.
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