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Zigeunerweisen (Gypsy Airs, Spanish: Aires gitanos), Op. 20, is a musical composition for violin and orchestra written in 1878 by the Spanish composer Pablo de Sarasate.It was premiered the same year in Leipzig, Germany.
Zigeunerweisen is a departure from director Suzuki Seijun's Nikkatsu films in many ways. It was shot entirely on location without access to studio resources; it runs 144 minutes, in contrast to the former's 90-minute maximum; and its intellectual characters and period setting and subject matter invited a more literary audience as opposed to the ...
The Zigeunerlieder (Gypsy songs), Op. 103 and Op. 112 Nos. 3–6, are a song cycle for four singers (or choir) and piano by Johannes Brahms (Op. 103 Nos. 1–7 and 11 exist also in an arrangement for solo voice and piano made by Brahms himself).
Ungarische Zigeunerweisen (Konzert im ungarischen Stil), Hungarian Gypsy Melodies (Concerto in the Hungarian Style), is a single-movement work for piano and orchestra of about 17 minutes' duration by Sophie Menter (renowned 19th-century pianist and Franz Liszt's favourite female student).
Pablo Martín Melitón de Sarasate y Navascués (Spanish pronunciation: [ˈpaβlo saɾaˈsate]; 10 March 1844 – 20 September 1908), commonly known as Pablo de Sarasate, was a Spanish (Navarrese) violinist, composer and conductor of the Romantic period.
The soundtrack to the film Kung Fu Hustle was released in 2004 and 2005 in conjunction with the 2004 Hong Kong-Chinese martial arts film directed by and starring Stephen Chow.
Kagerō-za (陽炎座, Heat-Haze Theatre) is a 1981 independent Japanese film directed by Seijun Suzuki and based on a novel by Kyōka Izumi. [1] [2] It forms the middle section of Suzuki's Taishō Roman Trilogy, preceded by Zigeunerweisen (1980) and followed by Yumeji (1991), surrealistic psychological dramas and ghost stories linked by style, themes and the Taishō period (1912–1926) setting.
Hungarian Rhapsody No. 13, S.244/13, in A minor, is the thirteenth Hungarian Rhapsody by Franz Liszt.One of the lesser performed works of Liszt, the friska section starts with a theme used by the well-known Allegro molto vivace from Zigeunerweisen by Pablo de Sarasate (Ketten mentünk, hárman jöttünk).