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"Harbor Lights", is a popular song by Northern Irish songwriter Jimmy Kennedy with music by Hugh Williams (the pseudonym of exiled Austrian composer Will Grosz). The song was originally recorded by Roy Fox & his Orchestra with vocal by Barry Gray in London on 29 January 1937.
"Harbour Lights" (song), a 1937 song by Hugh Williams (pseudonym for Will Grosz) with lyrics by Jimmy Kennedy; Harbor Lights (Bruce Hornsby album), 1993; Harbor Lights (Cristy Lane album), 1985 "Harbor Lights", a track from the 1976 Boz Scaggs' album Silk Degrees "Harbour Lights", a track from the 2012 A Silent Film album Sand & Snow
He was the first to record and release the standard "Blueberry Hill" in 1940. During World War II, he co-wrote and recorded the anthemic "Remember Pearl Harbor" (U.S. No. 3). He was the first to record and release the no. 1 song "Daddy" in 1941. [2] His signature tune was "Harbor Lights", a number-one hit in 1950.
Unlike earlier albums, Harbor Lights allowed more space for Hornsby's and guest-players' "extended instrumental" solos to "flow naturally" out of the songs. [2] The tone was set by the opening title track, which after 50 seconds of expansive solo piano lurches into an up-tempo jazz number, ending with Metheny's guitar runs. The album closes in ...
It first reached the Billboard Best Seller chart on July 13, 1951, and lasted two weeks on the chart, peaking at number 24. It was also recorded by Tab Hunter in 1957. The Beatles often performed a rock-and-roll reworking of the song during their early years of nightclub engagements, with Paul McCartney doing the vocals.
Harbor Lights is a studio album by American Christian and country music singer Cristy Lane. It was released in 1985 via LS Records. The original album contained a total of 14 tracks featuring a mixture of country and traditional pop music standards. It was Lane's twelfth studio recording in her career.
The flip side was "Harbor Lights". The recording by Ralph Flanagan was released by RCA Victor Records as catalog number 20-3904. It first reached the Billboard magazine charts on October 6, 1950 and lasted 10 weeks on the chart, peaking at #16. [2] The flip side was "The Red We Want Is the Red We've Got".
A success, the song entered the R&B chart at the beginning of February 1951. Less successful was its follow-up, the pop standard "Harbor Lights", recorded on December 30, 1950. The record company then turned to the other sharply contrasting, straight R&B song which the group had recorded on the same day, "Sixty Minute Man", written by Ward and ...