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Blues musical styles, forms (12-bar blues), melodies, and the blues scale have influenced many other genres of music, such as rock and roll, jazz, and popular music. [129] Prominent jazz, folk or rock performers, such as Louis Armstrong , Duke Ellington , Miles Davis , and Bob Dylan have performed significant blues recordings.
The historian Sylviane Diouf and ethnomusicologist Gerhard Kubik identify Islamic music as an influence on blues music. [11] [12] Diouf notes a striking resemblance between the Islamic call to prayer (originating from Bilal ibn Rabah, a famous Abyssinian African Muslim in the early 7th century) and 19th-century field holler music, noting that both have similar lyrics praising God, melody, note ...
Classic female blues was an early form of blues music, popular in the 1920s. An amalgam of traditional folk blues and urban theater music, the style is also known as vaudeville blues . Classic blues were performed by female singers accompanied by pianists or small jazz ensembles and were the first blues to be recorded.
A style of piano-playing based on the blues, boogie-woogie was briefly popular among mainstream audiences and blues listeners. At the heights of the Great Depression, gospel music started to become popular by people like Thomas A. Dorsey and Mahalia Jackson, who adapted Christian hymns to blues and jazz structures. By 1925, three main styles of ...
The acoustic roots-focused movement also gave rise to the terms "folk blues" and "acoustic blues", especially being applied to performances and recordings made around this period. [1] "Country blues" has also been used to describe regional acoustic styles, such as Delta blues, Piedmont blues, or the earliest Chicago, Texas, and Memphis blues. [1]
The most renowned early recordings of boogies were made in Chicago with Clarence Pinetop Smith, who might have been influenced by the brothers Hersal Thomas and George W. Thomas from Houston, who were together in Chicago in the 1920s. [4] Chicago blues and boogie music continues to be popular today with the annual Chicago Blues Festival, and ...
Many Delta blues artists, such as Big Joe Williams, moved to Detroit and Chicago, creating a pop-influenced city blues style. This was displaced by the new Chicago blues sound in the early 1950s, pioneered by Delta bluesmen Muddy Waters , Howlin' Wolf , and Little Walter , that was harking back to a Delta-influenced sound, but with amplified ...
The classic female blues era had begun and would extend through the 1920s. With her popularity in the South rapidly increasing, Cox caught the attention of talent scouts and secured a contract with Paramount Records, the same company for which her idol Ma Rainey recorded. [14] Paramount called her "The Uncrowned Queen of Blues".