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Maximilian Wontorra, Anneros Meischner-Metge, Erich Schröger (Hrsg.): Wilhelm Wundt (1832–1920) und die Anfänge der experimentellen Psychologie. Institut für Psychologie. Leipzig 2004. ISBN 3-00-013477-8. Ziche, P (1999). "Neuroscience in its context. Neuroscience and psychology in the work of Wilhelm Wundt". Physis Riv Int Stor Sci. 36 (2 ...
Philosophische Studien (Philosophical Studies) was the first journal of experimental psychology, founded by Wilhelm Wundt in 1881. [1] The first volume was published in 1883; the last, the 18th, in 1903. [2] Wundt then founded a similar volume entitled Psychologische Studien, with volumes from 1905 to 1917. [2]
Völkerpsychologie is a method of psychology that was founded in the nineteenth century by the famous psychologist, [1] Wilhelm Wundt. However, the term was first coined by post-Hegelian social philosophers Heymann Steinthal and Moritz Lazarus. [2] Wundt is widely known for his work with experimental psychology.
Experimental psychology refers to work done by those who apply experimental methods to psychological study and the underlying processes. Experimental psychologists employ human participants and animal subjects to study a great many topics, including (among others) sensation, perception, memory, cognition, learning, motivation, emotion; developmental processes, social psychology, and the neural ...
Empirical psychology (German: empirische Psychologie) is the work of a number of nineteenth century German-speaking pioneers of experimental psychology, including William James, Wilhelm Wundt and others.
The modern conception of affect developed in the 19th century with Wilhelm Wundt. [3] The word [clarification needed] comes from the German Gefühl, meaning "feeling". [4] A number of experiments have been conducted in the study of social and psychological affective preferences (i.e., what people like or dislike).
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Wundt believed that instead, these factors are seen as the brain's subjective reactions to external stimuli that enter into our sensory systems. This is the concept of creative synthesis. [1] This theory shifted towards the emphasis on principles concerned with emotion, motivation, and volition as it had matured. [2]
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