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Leitmotifs can help to bind a work together into a coherent whole, and also enable the composer to relate a story without the use of words, or to add an extra level to an already present story. By association, the word has also been used to mean any sort of recurring theme (whether or not subject to developmental transformation) in literature ...
Writing for Rolling Stone, Andy Greene says that "James Bond title songs, as a rule, have the name of the movie in the chorus," though he notes that this is not always the case. [35] On Her Majesty's Secret Service has an entirely instrumental credit sequence, though the film features an alternate theme, " We Have All the Time in the World ...
B movie B-roll baby plates backlighting backlot background actor See extra. background lighting balloon light barn doors beatscript below-the-line A term derived from the top sheet of a film budget for motion pictures, television programs, industrial films, independent films, student films and documentaries as well as commercials.
Also important is the density in which leitmotifs are used: the more leitmotifs are used in a piece of a given length, the more thematically rich it is considered to be. Film music, however, typically needs to strike a balance between the number of leitmotifs used, so as to not become too dense for the audience (being preoccupied with the ...
"Lara's Theme" is the name given to a leitmotif written for the 1965 film Doctor Zhivago by composer Maurice Jarre.Soon afterward, the leitmotif became the basis of the song "Somewhere, My Love". [1]
Arthur Rackham's illustration to The Ride of the Valkyries. The Ride of the Valkyries (German: Walkürenritt or Ritt der Walküren) is the popular name of the prelude to the first scene of the third and last act of Die Walküre, the second of the four epic music dramas that constitute Richard Wagner's Der Ring des Nibelungen
When it comes to teen comedy movies, Mean Girls is (and will always be) the gold standard. Not only does it have all the makings of a brilliant coming-of-age story, but it also features ...
The system of leitmotifs, integral to the Opera and Drama principles, is used to the full in Die Walküre; Holman numbers 36 such motifs that are introduced in the work. [29] The well-known "Valkyrie" motif, used to introduce Brünnhilde in Act II, forms the basis of the famous Ride of the Valkyries that opens Act III. [ 30 ]