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The Urdu ghazal makes use of two main rhymes: the radif and qaafiya. [9] The radif is a repeating refrain consisting of a single word or short phrase that ends every second line in the ghazal. [9] However, in the matla, the first she'r of a ghazal, the radif will end both lines of the she'r. [8] The qaafiya is a rhyming syllable that precedes ...
The more colloquial Urdu word for love is pyar. In Urdu, ʻIshq' (عشق) means lustless love. [6] In Arabic, it is a noun. However, in Hindi-Urdu it is used as both verb and noun. In Modern Arabic the usual terms used for romantic love are habba and its derived forms hubb, habib, mahbub, etc. [2]
Urdu in its less formalised register is known as rekhta (ریختہ, rek̤h̤tah, 'rough mixture', Urdu pronunciation:); the more formal register is sometimes referred to as زبانِ اُردُوئے معلّٰى, zabān-i Urdū-yi muʿallá, 'language of the exalted camp' (Urdu pronunciation: [zəbaːn eː ʊrdu eː moəllaː]) or لشکری ...
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
During Ghalib's period, the words "Hindi" and Urdu" were synonyms (see Hindi–Urdu controversy). Ghalib wrote in Perso-Arabic script which is used to write modern Urdu, but often called his language "Hindi"; one of his works was titled Ode-e-Hindi (Urdu: عود هندی, lit. 'Perfume of Hindi'). [14]
It is the intense Divine Love of Sufism that serves as a model for all the forms of love found in ghazal poetry. [citation needed] Most ghazal scholars today recognize that some ghazal couplets are exclusively about Divine Love (ishq-e-haqiqi). Others are about earthly love (ishq-e-majazi), but many can be interpreted in either context.
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
His masnavi Mu'amlat-e-Ishq (The Stages of Love) is one of the greatest known love poems in Urdu literature. [ 10 ] Mir lived at a time when Urdu language and poetry was at a formative stage – and Mir's instinctive aesthetic sense helped him strike a balance between the indigenous expression and new enrichment coming in from Persian imagery ...