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Records have been produced in different formats with playing times ranging from a few minutes to around 30 minutes per side. For about half a century, the discs were commonly made from shellac and these records typically ran at a rotational speed of 78 rpm, giving it the nickname "78s" ("seventy-eights").
John Peel And Sheila: The Pig's Big 78s: A Beginner's Guide is a compilation consisting of music originally published on 78 rpm shellac records. British radio DJ John Peel and his wife Sheila Ravenscroft began compiling the record in 2004, with Sheila completing the project following Peel's death.
European shellac records – In the first three decades of the twentieth century European companies including Pathé, Odeon, and Fonotipia made recordings in a variety of sizes, including 21 cm. [citation needed] 9 in (23 cm) Early American shellac records – Prior to 1910, nine-inch brown shellac records were issued under the Zon-O-Phone label.
The 12-inch vinyl slates – as opposed to its predecessor, the 78-rpm made from shellac – played at a faster speed, 33 1/3 revolutions per minutes compared to 78, and could fit about 25 minutes ...
Larger size Victor blanks were introduced late in 1931, when RCA-Victor introduced the Radiola-Electrola RE-57. These machines were capable of recording at 33 1 ⁄ 3 rpm as well as 78 rpm. One could select to record something from the radio or one could record using the hand-held microphone.
Shellac functions as a tough natural primer, sanding sealant, tannin-blocker, odour-blocker, stain, and high-gloss varnish. Shellac was once used in electrical applications as it possesses good insulation qualities and seals out moisture. Phonograph and 78 rpm gramophone records were made of shellac until they were gradually replaced by vinyl ...
Around 1950, slower speeds became standard: 45, 33⅓, and the rarely used 16⅔ rpm. The standard material for discs changed from shellac to vinyl, although vinyl had been used for some special-purpose records since the early 1930s and some 78 rpm shellac records were still being made in the late 1950s.
It was released in 1947 by MGM Records in the same year as a set of four 10-inch 78-rpm shellac records. [3] This marked MGM Records' first venture into the soundtrack album market. The album features performances by notable artists such as Kathryn Grayson, Tony Martin, Judy Garland, Virginia O'Brien, Lena Horne, and June Allyson. [4]
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