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Native American Rugs, Blankets, and Quilts; American Indian Featherwork; The Center for Traditional Textiles of Cusco “The Mechanics of the Art World,” Vistas: Visual Culture in Spanish America, 1520-1820. "PreColumbian Textile Conference Proceedings VII" (2016) "PreColumbian Textiles in the Ethnological Museum in Berlin" (2017)
Evan M. Maurer, "Determining Quality in Native American Art" in The Arts of the North American Indian: Native Traditions in Evolution, ed. Paul Anbinder, New York: Philbrook Art Center, 1986. Marian E. Rodee, Old Navajo Rugs: Their Development from 1900 to 1940, Albuquerque: University of New Mexico Press, 1983.
The technique has been used by Native Americans and in Africa, the Middle East and South America. Guatemalan examples use beads of size 22/0 and smaller. [1] This is an off-loom technique perfected by Native Americans. It is a relative of another off-loom technique called peyote stitch or gourd stitch. [2]
In 1895 it was enlarged and converted into a textile mill that, by the following year, had begun making Native American trade blankets—geometric patterned robes (unfringed blankets) for Native American men and shawls (fringed blankets) for Native American women in the area—the Umatilla, Cayuse, Nez Perce and Walla Walla tribes. That ...
Porcupine quills often adorned rawhide and tanned hides, but during the 19th century, quilled birch bark boxes were a popular trade item to sell to European-Americans among Eastern and Great Lakes tribes. Quillwork was used to create and decorate a variety of Native American items, including those of daily usage to Native American men and women.
In this 1825 portrait by Charles Bird King, David Vann (later Treasurer of the Cherokee Nation) wears a fingerwoven sash and shoulder strap. Fingerweaving is an art form used mostly to create belts, sashes, straps, and other similar items through a non-loom weaving process.
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