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The sonatas and partitas for solo violin (BWV 1001–1006) are a set of six works composed by Johann Sebastian Bach. They are sometimes referred to in English as the sonatas and partias for solo violin in accordance with Bach's headings in the autograph manuscript: "Partia" (plural "Partien") was commonly used in German-speaking regions during ...
The Partita No. 3 in E major for solo violin, BWV 1006.1 (formerly 1006), [1] is the last work in Johann Sebastian Bach 's set of Sonatas and Partitas. It consists of the following movements: Preludio. Loure.
Partita for Violin No. 2 (Bach) Chaconne (beginning), Bach's manuscript. The Partita in D minor for solo violin, BWV 1004, by Johann Sebastian Bach, was written between 1717 and 1720. It is a part of his compositional cycle called Sonatas and Partitas for Solo Violin.
First page of J.S. Bach's Partita for Violin No. 3. Partita (also partie, partia, parthia, or parthie [1]) was originally the name for a single-instrumental piece of music (16th and 17th centuries), but Johann Kuhnau (Thomaskantor until 1722), his student Christoph Graupner, and Johann Sebastian Bach used it for collections of musical pieces, as a synonym for suite.
Manuscript of the first movement of BWV 1019, third version, copied by Johann Christoph Altnickol. The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba.
BWV 1001 – Sonata No. 1 in G minor. BWV 1002 – Partita No. 1 in B minor. BWV 1003 – Sonata No. 2 in A minor. BWV 1004 – Partita No. 2 in D minor. BWV 1005 – Sonata No. 3 in C major. BWV 1006 – Partita No. 3 in E major. BWV 1006a – Suite in E major for solo lute (transcription of Partita No. 3 for solo violin, BWV 1006)
Friedrich Seitz. Friedrich Seitz (12 June 1848, Günthersleben-Wechmar, Saxe-Coburg and Gotha – 22 May 1918) was a German Romantic Era composer. He was a violinist who served as a concertmaster, who wrote chamber music and eight student concertos for the violin.
At the very beginning of the movement, Ysaÿe directly quotes the beginning of Prelude from J. S. Bach's Partita No. 3 in E major for solo violin. Much like Bach's E major Prelude, the movement consists of virtuosic sixteenth notes throughout, yet Ysaÿe's use of chromatic tonality clearly sets the piece in the genre of early 20th century music.
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