Search results
Results from the WOW.Com Content Network
Although very much in the "Chinese taste", the pieces also appealed to buyers from Japan and Europe, and many were immediately exported. Other types of wares were made in the Japanese taste, such as the shonsui wares and the ko sometsuke (古染付け) or "old blue-and white" (the same term is used for Japanese-made versions of the style). [7]
Under the Kangxi Emperor's reign (1662–1722) the Chinese porcelain industry, now largely concentrated at Jingdezhen was reorganised and the export trade soon flourished again. Chinese export porcelain from the late 17th century included blue-and-white and famille verte wares (and occasionally famille noire and famille jaune). Wares included ...
Cup in the imperial yellow, Kangxi emperor (1662–1722) A wide variety of wares were produced for the court, with blue and white (initially ignored by the court but acceptable by 1402) accompanied by red and white wares using a copper-based underglaze red. This was sometimes combined with the cobalt blue in blue and red pieces. [20]
Blue and white ware did not accord with Chinese taste at that time, the early Ming work Gegu Yaolun (格古要論) in fact described blue as well as multi-coloured wares as "exceedingly vulgar". [16] Blue and white porcelain however came back to prominence in the 15th century with the Xuande Emperor, and again developed from that time on. [14]
Delftware or Delft pottery, also known as Delft Blue [1] (Dutch: Delfts blauw) or as delf, [2] is a general term now used for Dutch tin-glazed earthenware, a form of faience. Most of it is blue and white pottery , and the city of Delft in the Netherlands was the major centre of production, but the term covers wares with other colours, and made ...
Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū.
A Peking glass vase with lotus pattern from the Daoguang period. The color is named "Imperial Yellow" in reference to the banner of the Qing dynasty.. Peking glass, also known as Kangxi Glass, Qianlong Glass or Tao Liao Ping, [clarification needed] is a form of Chinese glassware that originated in 18th century Beijing, China (then romanized as "Peking" in European writings).
Dehua porcelain ink brush holder, with design of carved cranes and lotuses worked into the paste. Late 17th–18th century (Qing dynasty), 9.7 cm (3.8 in) tallDehua porcelain (Chinese: 德化陶瓷; pinyin: Déhuà Táocí; Pe̍h-ōe-jī: Tek-hòe hûi), more traditionally known in the West as Blanc de Chine (French for "White from China"), is a type of white Chinese porcelain, made at Dehua ...