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Mary Stevenson Cassatt (/ k ə ˈ s æ t /; May 22, 1844 – June 14, 1926) [1] was an American painter and printmaker. [2] She was born in Allegheny, Pennsylvania (now part of Pittsburgh's North Side), and lived much of her adult life in France, where she befriended Edgar Degas and exhibited with the Impressionists.
Mary Cassatt, Mother and Child, 1890, oil on canvas 64.26 x 89.66 cm, private collection. The mother-child relationship was a common theme among French artists in 1890 and popularized through several influential artists at the time. [ 6 ]
Like many other Impressionists, Cassatt was influenced by Japanese art. In 1890, a Japanese graphic arts exhibition came to Paris and Cassatt frequently visited the exhibition. One of her main influences was Kitagawa Utamaro, whose subjects were similar to Cassatt's. He typically depicted woman and children going about their domestic lives.
Griselda Pollock declares the painting one of the most radical images of childhood of the time. [16] Germaine Greer calls it Cassatt's first real stunner: "As an icon of the awfulness of being at once controlled by adults and ignored by them, this bold work could hardly be bettered", [17] a view echoed by Ben Pollitt in his description of the painting as capturing the huffing and puffing ...
A Woman and a Girl Driving is an oil-on-canvas painting by American Impressionist Mary Cassatt, painted in 1881. It emphasizes the theme of female autonomy in a male dominated society. [ 1 ] Lydia Cassatt, the artist's sister, is shown holding the reins of the family's carriage alongside Odile Fèvre, the niece of Edgar Degas , and a servant to ...
New Britain Museum of American Art: New Britain, Connecticut The Letter: 1891: 13 5/8 in x 9 in: Art Institute of Chicago: Chicago The Child's Bath: 1893: 39 1/2 in × 26 in: 1910.2: Art Institute of Chicago: Chicago Baby Reaching for an Apple: 1893: 39 in x 25 1/2 in: Mrs. Blaine Durham: Hume, VA The Boating Party: 1893: 35 1/2 in × 46 1/8 in ...
[8] [13] Mary Cassatt owned Japanese prints by Kitagawa Utamaro (1753–1806). [14] [15] The exhibition at Durand-Ruel of Japanese art proved the most important influence on Cassatt. [16] Cassatt's depiction of the woman and child was also inspired by Antonio da Correggio, who used a soft, natural style to depict his Madonna and Child paintings ...
The remainder of the family joined the sisters in the summer of 1880 and Cassatt's work at that time shifted to images depicting home life. Lydia became a frequent subject of Cassatt's work until her death in 1882. [1] Cassatt usually avoided plein air painting, though this work captures the sunlight, evidencing that it was painted in the ...
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