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Audiotool was created to make music production accessible and free for everyone. André Michelle's early work included pioneering an audio hack in 2005 for audio stream generation ahead of browser support, [2] and the emulation of the iconic Roland TR-909 in 2007. [3]
The number of frequency channels may be matched to the requirements of the intended application. A car audio equalizer might have a total of five to ten frequency bands. An equalizer for professional live sound reinforcement typically has some 25 to 31 bands, for more precise control of feedback problems and equalization of room modes.
Graphic equalizer use leading to speaker damage is common — large amounts of bass boost and treble boost can distort music and damage loudspeaker drivers. [9] Ideally, the equalizer can be set once to compensate for the combination of the response of the speakers and the car's acoustic characteristics. [10]
Graphic equalizer. Equalizers are electronic devices that allow audio engineers to control the tone and frequencies of the sound in a channel, group (e.g., all the mics on a drumkit) or an entire stage's mix. The bass and treble controls on a home stereo are a simple type of equalizer.
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Separate bass amplifiers which do not contain speakers, often called "heads" or "amp heads", are usually integrated units, with a preamplifier, equalizer (bass and treble controls) and a power amplifier combined in a single unit. Some bassists use separate preamplifier/power amplifier setups, where one or more preamplifiers drive one or more ...
Compression is used extensively in broadcasting to boost the perceived volume of sound while reducing the dynamic range of source audio. To avoid overmodulation, broadcasters in most countries have legal limits on instantaneous peak volume they may broadcast. Normally these limits are met by permanently inserted compression hardware in the on ...
Otherwise, bass modulation became excessive and overcutting took place, with the cutter getting into the next record groove. When played back electrically with a magnetic pickup having a smooth response in the bass region, a complementary boost in amplitude at the bass turnover point was necessary. G. H.
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