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The music video for the song features the aforementioned performers, as well as Puerto Rican model Joan Smalls and actor Luis Guzmán. It was directed by Carlos Pérez. It was directed by Carlos Pérez.
The music of the Dominican Republic is primarily influenced by Western European music, with Sub-Saharan African and native Taino influences. The Dominican Republic is mainly known for its merengue and bachata music, both of which are the most famous styles of music in the Dominican Republic, and have been exported and popularized around the world.
"Rumbatón" is a song by Puerto Rican rapper Daddy Yankee and the lead single from his eighth and final studio album, Legendaddy. Described by him as "the album's flagship", the song was released on March 24, 2022, simultaneously with the record and alongside a music video directed by Dominican filmmaker Marlon Peña, which depics a newlywed couple joining a street party in Puerto Rico.
Despite being primarily a reggaeton and trap artist, Ozuna cites Dominican-Puerto Rican-American bachata singer Romeo Santos as his favorite singer. [23] Ozuna also greatly admires salsa artist Frankie Ruiz. [17] He is also a fan of rock music, and expresses an affinity for the electric guitar. [59]
On March 2, 2023, Anuel AA released the single "Más Rica Que Ayer" alongside Puerto Rican producer duo Mambo Kingz and Puerto Rican producer DJ Luian. It became popular and the music video has received over 275 million views on YouTube. [31] Later he partnered with Maluma in the song "Diablo, Que Chimba". [32]
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The women are Puerto Rican, not Dominican, and both this and their gender testify to merengue's growing popularity. [21] Las Chicas del Can was the first all-female band from the Dominican Republic, formed in 1981, which paved the road for other Latina artists.
If the term "folk music" is taken to mean music genres that have flourished without elite support [clarification needed], and have evolved independently of the commercial mass media, the realm of Puerto Rican folk music would comprise the primarily Hispanic-derived jíbaro music, the Afro-Puerto Rican bomba, and the essentially "creole" plena.