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Tulip and willow design for printed textiles (1873) William Morris (1834-1898), a founder of the British Arts and Crafts movement, sought to restore the prestige and methods of hand-made crafts, including textiles, in opposition to the 19th century tendency toward factory-produced textiles. With this goal in mind, he created his own workshop ...
The Willow pattern is a distinctive and elaborate chinoiserie pattern used on ceramic tableware. It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand-painted blue-and-white wares imported from Qing dynasty ...
Whitework embroidery is any embroidery technique in which the stitch and the foundation fabric (traditionally white linen) are of same color. Styles of whitework embroidery include most drawn thread work , broderie anglaise , Hardanger embroidery , Hedebo embroidery , Mountmellick embroidery , reticella and Schwalm.
Canvas work in cross stitch became popular again in the mid-19th century with the Berlin wool work craze. Herringbone, fishbone, Van Dyke, and related crossed stitches are used in crewel embroidery, especially to add texture to stems, leaves, and similar objects. Basic cross stitch is used to fill backgrounds in Assisi work. [3]
Cross-stitch sampler, Germany Cross stitching using a hoop and showing use of enamel needle minder. Cross-stitch is a form of sewing and a popular form of counted-thread embroidery in which X-shaped stitches (called cross stitches) in a tiled, raster-like pattern are used to form a picture.
Marilyn Leavitt-Imblum (August 1, 1946 – August 14, 2012) was an American cross-stitch embroidery designer known especially for her Victorian angel designs. [1] Her designs were published under the business name Told in a Garden, with product divisions of Told in a Garden, Lavender and Lace, and Butternut Road.
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