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The Basilica di Santa Maria Gloriosa dei Frari, commonly abbreviated to the Frari, is a church located in the Campo dei Frari at the heart of the San Polo district of Venice, Italy. It is the largest church in the city and it has the status of a minor basilica. The church is dedicated to the Assumption of Mary.
The Assumption of the Virgin or Frari Assumption, popularly known as the Assunta, [1] is a large altarpiece panel painting in oils by the Italian Renaissance artist Titian, painted in 1515–1518. It remains in the position it was designed for, on the high altar of the Basilica di Santa Maria Gloriosa dei Frari or Frari church in Venice.
The Frari Triptych or Pesaro Triptych is a 1488 oil-on-panel triptych painting by the Italian Renaissance master Giovanni Bellini. It is signed and dated 1488 on the centre of the Virgin Mary's throne, though it may have taken several years to produce, meaning he started it in 1485. [ 1 ]
It remains in its original site in the Frari Church in Campo del Friari in the San Polo district of Venice, Italy. The sculpture was restored in 1973, at which time the sculptor's signature and dating of the work were rediscovered, and again in 2024 by Save Venice Inc.. Carved in Florence, it is the sculptor's
This is a complete list of churches in Venice classified by "sestiere" in which the city is divided. These are Cannaregio , San Polo , Dorsoduro (including the Giudecca and Isola Sacca Fisola ), Santa Croce , San Marco (including San Giorgio Maggiore ) and Castello (including San Pietro di Castello and Sant'Elena ).
A brick grave with seven skeletons helped archaeologists in Italy identify the forgotten ruins. Medieval church — lost for centuries — reemerges at iconic site in Venice, photos show Skip to ...
The Patriarchal Cathedral Basilica of Saint Mark (Italian: Basilica Cattedrale Patriarcale di San Marco), commonly known as St Mark's Basilica (Italian: Basilica di San Marco; Venetian: Baxéłega de San Marco), is the cathedral church of the Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello.
Many other churches retain significant Gothic work, especially Santo Stefano, a large parish church with a "ship's keel" wooden roof. [18] The Madonna dell'Orto, built by the Humiliati order, is mostly 14th-century, but the facade, still Gothic, dates to the 1460s. Other Gothic churches have been given makeovers in Renaissance or Baroque styles.
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