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Religion, Feminism, and Freedom of Conscience, edited by George D. Smith (1994) Skin: Talking About Sex, Class & Literature, Dorothy Allison (1994) "Suffragette City: The Chicago Women's Liberation Rock Band", Ben Kim (1994) [533] The Creation of Feminist Consciousness: From the Middle Ages to 1870, Gerda Lerner (1994)
The Creation of Feminist Consciousness: From the Middle Ages to 1870, Gerda Lerner (1994) "The Unremembered: Searching for Women at the Holocaust Memorial Museum", Andrea Dworkin (1994) [417] "Why Women Need Freedom From Religion", Annie Laurie Gaylor (1994) From Suffrage to Women's Liberation: Feminism in Twentieth Century America, Joreen ...
20th century – Anti-prostitution feminist; Sweden's national rapporteur on human trafficking opposition activities: 1940–2025: Warcry: United States: 20th century – Radical feminist: 1940–2025: Kaia Wilson: United States: 20th century – Third-wave feminist: 1940–2025: Alice Wolfson: United States: 20th century – 1940–2025: Sande ...
Edna St. Vincent Millay (February 22, 1892 – October 19, 1950) was an American lyrical poet and playwright. Millay was a renowned social figure and noted feminist in New York City during the Roaring Twenties and beyond.
One of her best known works is Feminine Endings (1991). "Feminine ending" is a musical term once commonly used to denote a weak phrase ending or cadence.The work covers musical constructions of gender and sexuality, gendered aspects of traditional music theory, gendered sexuality in musical narrative, music as a gendered discourse, and discursive strategies of women musicians.
In reaction to this perceived lack of inclusion of women in the mainstream, some feminists decided it necessary for women to create a separate space for women to create music. Lesbian and feminist separatism was then used as a "tactic which focused women's energy and would give an enormous boost to the growth and development of women's music." [11]
The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men."
Arabic music is an amalgam of the music of the Arab people in the Arabian Peninsula and the music of all the varied peoples that make up the Arab world. In Egypt during the medieval era , male professional musicians during this period were called alateeyeh (plural), or alatee (singular), which means 'a player upon an instrument'.