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Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
This generated two distinctive African American slave musical forms, the spiritual (sung music usually telling a story) and the field holler (sung or chanted music usually involving repetition of the leader's line). [1] We Are Climbing Jacob's Ladder is a spiritual. [1] As a folk song originating in a repressed culture, the song's origins are lost.
Lyrically, the song refers to the liberation of the ancient Jewish people from Egyptian slavery. That story held a second meaning for enslaved African Americans, because they related their experiences under slavery to those of Moses and the Israelites who were enslaved by the pharaoh, [5] and the idea that God would come to the aid of the persecuted resonated with them.
In 1930, Marshall Bartholomew created his arrangement of the song. [8] Composer and conductor Morton Gould used the song as the basis for his 1941 composition for concert band, Jericho Rhapsody. [9] [8] Ralph Flanagan adapted it under the title "Joshua". Ralph Flanagan and His Orchestra recorded the spiritual in New York City on March 1
"Solid Rock" is a song written by Shane Howard and recorded by Australian rock band Goanna. The song deals with issues of land rights for Indigenous Australians and was released in September 1982 [1] as the lead single from the band's debut studio album, Spirit of Place. "Solid Rock" peaked at number 3 on the Australian Kent Music Report.
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
Since they started releasing recordings in 1992, they have published and recorded hundreds of songs on over 50 albums, mostly under their own label, Hillsong Music. Below is a list of songs arranged alphabetically by title. Italicised song titles indicate an instrumental recording. Italicised album names indicate an instrumental album.
Al Hirt released a version of the song in 1964 on his album, Sugar Lips. The song went to #12 on the Adult Contemporary chart and #84 on the Billboard Hot 100. [9] Hirt released a live version on his 1965 album, Live at Carnegie Hall. [10] It was produced by Chet Atkins. [11] This song was also performed by Elvis Presley in the 1968 TV special ...
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