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The genre of orchestral song tends to longer programmed pieces than songs accompanied by piano. For this reason the orchestral song may be either a longer single song or, more commonly, a cycle. An example of a single long song text is found in Sibelius' tone poem Luonnotar. [5] Other examples include Grieg's Den Bergtekne, op. 32.
The 50 Greatest Pieces of Classical Music is a compilation of classical works recorded by the London Philharmonic Orchestra with conductor David Parry. [2] Recorded at Abbey Road Studios, Royal Festival Hall and Henry Wood Hall in London, the compilation was released in digital formats in November, 2009 and as a 4-CD set in 2011. [3]
Piano Transcriptions of Eight Songs (1932) George Gershwin’s Song-Book (1932), complex arrangements of 18 Gershwin songs the 1932 hardbound editions contained original artwork by Constantin Alajalov for the 18 songs; a 19th song was enclosed with the 500 signed/numbered copies of the 1932 first edition: Mischa, Yascha, Toscha, Sascha
The first of the songs, Seraphita, was composed in October 1913. The text comes from a poem by Ernest Dowson, translated by Stefan George. This is the most extended of the four songs with the vocal line separated by substantial orchestral interludes. The six clarinets open this song with a melody primarily based on seconds and thirds.
Serenade for Tenor, Saxophone and Orchestra ("My Dear Benjamin") Seven Early Songs (Berg) Shéhérazade (Ravel) A Song for the Lord Mayor's Table; Songs and Dances of Death; Songs of Travel; Sure on this shining night; Symphony No. 3 (Górecki) Symphony No. 5 (Harbison) Symphony No. 14 (Shostakovich)
2. words by Hans Christian Andersen; also for piano: Op. 52 No. 5; see No. 1 of 5 Songs Dedicated to Louis Hornbeck 3. words by Hans Christian Andersen; see No. 4 of 5 Songs Dedicated to Louis Hornbeck 4. words by Christian Richardt; also for piano: Op. 52 No. 1 Concertante: Op. 16: 1868: Klaverkonsert i a-moll: Piano Concerto in A minor
The key characteristic of European classical music that distinguishes it from popular music, folk music, and some other classical music traditions such as Indian classical music, is that the repertoire tends to be written down in musical notation, creating a musical part or score. This score typically determines details of rhythm, pitch, and ...
The Little Masonic Cantata (Kleine Freimaurer-Kantate ) "Laut verkünde unsre Freude", for two tenors, bass, male chorus, and orchestra, K. 623 (1791) Song for male chorus and orchestra, "Laßt uns mit geschlungnen Händen", K. 623a, ("for the close of the lodge" and intended final chorus to K. 623) (1791; attribution uncertain)
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