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A more comprehensive collection, with tracks from both record labels, was the 2000s The Very Best of Badfinger. [131] In 2013, a new compilation titled Timeless was issued by EMI/Universal both to capitalise on the use of "Baby Blue" in the finale of Breaking Bad and to include the 2010 remastered versions of Badfinger's songs on a greatest ...
I Can Love You (Badfinger song) I Can't Believe In; I Can't Take It (Badfinger song) I Don't Mind (Badfinger song) I Got You (Badfinger song) I Miss You (Badfinger song) I'd Die Babe; I'll Be the One (Badfinger song) I'm in Love (Badfinger song) I've Been Waiting (The Iveys song) Icicles (Badfinger song) In the Meantime (Badfinger song) Island ...
and "Dennis", among Badfinger's top 10 songs. [6] Hughes said of "Dennis" "This stately pop-rock beauty, from Badfinger’s most underrated album, remains one of Pete Ham’s very finest pieces, from its elegant intro to its extended fadeout" and said that it is "essentially a warning about the potholes of life" and "an affirmative love song ...
Joey Molland, guitarist for the group Badfinger, who had continued leading a touring edition of the group decades after other key members had passed on, died Saturday night at age 77. Badfinger ...
The list differs from the 2004 version, with 26 songs added, all of which are songs from the 2000s except "Juicy" by The Notorious B.I.G., released in 1994. The top 25 remained unchanged, but many songs down the list were given different rankings as a result of the inclusion of new songs, causing consecutive shifts among the songs listed in 2004.
Roberts called it Badfinger's signature song. [11] Classic Rock critic Rob Hughes rated it as Badfinger's 3rd greatest song, saying that the band "added lustrous three-part harmonies" to McCartney's original. [12] In 1978 a re-formed version of Badfinger re-recorded "Come and Get It" for K-tel Records, with Evans again
The Nilsson version was included in 2021's Rolling Stone ' s 500 Greatest Songs of All Time. [3] Paul McCartney once described it as "the killer song of all time". [4] In 1972, writers Ham and Evans received the British Academy's Ivor Novello Award for Best Song Musically and Lyrically. [5]
Classic Rock critic Rob Hughes rated "Day After Day" as Badfinger's greatest song, due to the "unassailable melody, plaintive vocals and lovestruck sentiment" as well as Harrison's "wonderful slide solo." [11] Ultimate Classic Rock critic Michael Gallucci rated it as Badfinger's 2nd best song, highlighting Harrison's "distinctive guitar playing."