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Minka (Japanese: 民家, lit. "folk houses") are vernacular houses constructed in any one of several traditional Japanese building styles. In the context of the four divisions of society, Minka were the dwellings of farmers, artisans, and merchants (i.e., the three non-samurai castes). [1]
The simplicity of Japanese dwellings contrasted the oft-esteemed excessive decoration of the West. The influence of Japanese design was thus not so much that it was directly copied but rather, "the west discovered the quality of space in traditional Japanese architecture through a filter of western architectural values". [97]
Shoin-zukuri (Japanese: 書院造, 'study room architecture') is a style of Japanese architecture developed in the Muromachi, Azuchi–Momoyama and Edo periods that forms the basis of today's traditional-style Japanese houses.
Additionally, advertisements quote the sizes of the rooms—most importantly, the living room—with measurements in tatami mats (jō (畳) in Japanese), traditional mats woven from rice straw that are standard sizes: 176 by 88 cm (69 by 35 in) in the Tokyo region and 191 cm by 95.5 cm in western Japan. "2DK; one six-tatami Japanese-style room ...
The Japan-America Society (JAS) agreed to sponsor the project, and declared that the Japanese House should be donated by Japan as a gift to American people in order to promote the cultural exchange. Sponsored by both the private sector and the government, the JAS raised a total of ¥18.5 million ($51,000 at the exchange rate of ¥360/$ in 1953 ...
During the World's Columbian Exposition in Chicago in 1893, a small Nippon Tea House was built near the North pond that was designed in a loose version of the sukiya-style. [23] Harper's Weekly , a national magazine, ran an article in March 1893 showing the construction of the Japanese contributions to the exhibition.
Plan of an Edo nagaya neighbourhood; houses range from 4.5 to 16 tatami in area (visible in full-scale view) Old depiction of a nagaya. Nagaya (長屋, lit. ' longhouse ') is a type of Japanese rowhouse that was typical during the Edo period (1603–1868). [1]
The rigid hinged rain shutters on the far side are hajitomi; the rolled blinds on the near side misu. Reconstruction of the interior furnishings of the same building. The Saiō sits on a dais, with a byōbu behind her, a kichō to her left, and a boxlike chōdai (帳台, baldachin ) to her right.