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MSI Afterburner is a graphics card overclocking (OC) and monitoring utility that allows users to monitor and adjust various settings of their graphics card. [2] Developed by MSI (Micro-Star International) and previously Alexey Nicolaychuk, developer of RivaTuner, it is widely used for enhancing the performance of graphics cards, especially in gaming and high-performance tasks.
MSI sponsored the Method eSports organization in August 2018. [41] MSI partnered with ESL to bring MGA 2018 grand finals to New York. Kazakhstan's AVANGAR won the Championship. [42] [43] MSI and Ubisoft jointly presented Ambient Link (synchronized game lighting) on Assassin's Creed Odyssey and Tom Clancy's The Division 2 in 2019. [44] [45] [46]
A version of "Let's Misbehave" sung by Cybill Shepherd appears in the 1975 film At Long Last Love, and in the 2008 film Easy Virtue, and one of the latter film's taglines. The song is substituted for "The Gypsy in Me" in the high school drama club/amateur community theater version of Anything Goes, which is also the 1962 off-Broadway version.
The first draft of the show was called Crazy Week, which became Hard to Get, and finally Anything Goes. The original plot involved a bomb threat, a shipwreck, and human trafficking on a desert island, [ 4 ] but, just a few weeks before the show was due to open, a fire on board the passenger ship SS Morro Castle caused the deaths of 138 ...
She was the director and choreographer of the Broadway revival of Pajama Game which opened in February 2006 and which was the Broadway acting debut of Harry Connick Jr. [9] Marshall directed and choreographed a Broadway revival of Cole Porter 's Anything Goes beginning in April 2011, with Sutton Foster starring as Reno Sweeney. [ 10 ]
The Afterburner lighting kit by Triton Labs is an aftermarket modification to the Game Boy Advance in which a frontlight is installed into the unit. [ 1 ] [ 2 ] Afterburner was discontinued after the Game Boy Advance SP released because it had a built-in light (front light).
The show came back to New York about a year later, during the Depression of 1920–21. The production owed $18,000 and faced strong competition in a Broadway season full of spectacles, such as Sally – a Ziegfeld musical – and another edition of George White's Scandals. It was only able to book a remote theater on West 63rd Street. [2] [3]
Heran Mamo of Billboard opined that while Gaga's "portion of the first verse does anything but leave us totally cold", Bennett's "beautifully raspy vocals leave his counterpart emotional", and thought that "the full band breathes new life into Cole Porter's classic tune". [9]