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Combo-cameras combine full-feature still cameras and camcorders in a single unit. The Sanyo Xacti HD1 was the first such unit, combining the features of a 5.1 megapixel still camera with a 720p video recorder with improved handling and utility. Canon and Sony have introduced camcorders with still-photo performance approaching that of a digicam ...
Formerly known as "AVCHD with professional features," [23] AVCCAM is the name of professional AVCHD camcorders from Panasonic's Broadcast division. Some of these professional features listed in early Panasonic advertising materials included 1/3-inch progressive 3CCD sensor, XLR microphone input, solid-state media and capability of recording at ...
Micro Cinema Camera: 12.48 x 7.02 mm CMOS 2.88 MFT: SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native) 13 stops Rolling None None 23.98 - 60 [35] Blackmagic: Pocket Cinema Camera [32] 12.48 x 7.02 mm CMOS 2.88 MFT: SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native)
Professional 4K 60p camcorders equipped with 1.0-Type (1.0-inch) sensor and offering 24.5mm wide-angle (35mm equivalent) and optical 20x zoom. They also support 4:2:2 10-bit 4K 30p/25p internal video recording and the new, high-efficiency HEVC codec. They have been equipped with a wide variety of recording formats for the best selection.
While there were larger CCD sensors made for interchangeable-lens cameras, such as the Leica M9, CCD sensors in fixed-lens cameras maxed out at 2/3″ (1/1.5″). Premium compact cameras of the time contained sensors around 1/1.7″ in size, whereas entry-level models used 1/2.3″ sensors or smaller. [37] [38] [39]
The cameras were marketed towards independent and documentary filmmakers, and for broadcasters and journalists for electronic news gathering. Both cameras share the same basic design and body, though the XH G1 is geared towards professional multi-camera production and includes connections for HD-SDI/SD-SDI Out, genlock, and time code.
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