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Poems on Slavery is a collection of poems by American poet Henry Wadsworth Longfellow in support of the United States anti-slavery efforts. With one exception, the collection of poems were written at sea by Longfellow in October 1842. [1] The poems were reprinted as anti-slavery tracts two different times during 1843.
Most of the works are from the period between 1760 and 1810, reflecting growth in public awareness about slavery. [1] Most of the poetry is antislavery, with a few exceptions including verse by John Saffin and James Boswell, who defended slavery as an institution. [1] Published in 2002 by Yale University Press, a revised edition was released in ...
"Bury Me in a Free Land", from The Anti-Slavery Bugle, November 20, 1858 "Bury Me in a Free Land" is a poem by African-American writer and abolitionist Frances Harper, written for The Anti-Slavery Bugle newspaper in 1858. [1]
Her poetry expressed Christian themes, and many poems were dedicated to famous figures. Over one-third consist of elegies, the remainder being on religious, classical and abstract themes. [28] She seldom referred to her own life in her poems. One example of a poem on slavery is "On being brought from Africa to America": [29]
In June of the same year, she sent a third Horton poem, "On Poetry and Musick" (1828), to be also published by the Gazette. The three poems were renamed to be placed into his first collection, The Hope of Liberty (1829). Becoming known as a poet, Horton attempted unsuccessfully to earn enough money from his poetry to purchase his freedom.
The poem discusses the evils of slavery and laments the fate of slaves on the Middle Passage transportation route. Skip to main content. 24/7 Help. For premium support please call: 800-290-4726 ...
This use of poetry in the service of his political beliefs is illustrated by his book Poems Written during the Progress of the Abolition Question. Highly regarded in his lifetime and for a period thereafter, he is now largely remembered for his anti-slavery writings and his poems Barbara Frietchie, "The Barefoot Boy", "Maud Muller" and Snow-Bound.
This poem is part of the American captivity narrative genre. [7] The attack occurred in an area of Deerfield called "The Bars", which was a colonial term for a meadow. [8] The poem was preserved orally until 1855, when it was published in Josiah Gilbert Holland's History of Western Massachusetts. [1] [9] This poem is the only surviving work by ...