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The American Renaissance period in American literature ran from about 1830 to around the Civil War. [1] A central term in American studies , the American Renaissance was for a while considered synonymous with American Romanticism [ 2 ] and was closely associated with Transcendentalism .
Versluis has published a "trilogy" on American Transcendentalism and the development of western esotericism, namely American Transcendentalism and Asian Religions (1993), The Esoteric Origins of the American Renaissance (2001), and American Gurus: From Transcendentalism to New Age Religion (2014). In these publications, he describes the ...
Transcendentalism is a philosophical, spiritual, and literary movement that developed in the late 1820s and 1830s in the New England region of the United States. [1] [2] [3] A core belief is in the inherent goodness of people and nature, [1] and while society and its institutions have corrupted the purity of the individual, people are at their best when truly "self-reliant" and independent.
Transcendentalism: From the mid-19th-century American movement: poetry and philosophy concerned with self-reliance, independence from modern technology [39] Ralph Waldo Emerson, Henry David Thoreau: Realism: The mid-19th-century movement based on a simplification of style and image and an interest in poverty and everyday concerns [40]
Philip F. Gura (born June 14, 1950) is an intellectual and cultural historian. He currently serves as William S. Newman Distinguished Professor of American Literature and Culture at the University of North Carolina at Chapel Hill, where he holds appointments in the Departments of English and Comparative Literature, Religious Studies, and American Studies.
The American Renaissance was between 1840 and 1860. This included Dark Romanticism and Transcendentalism. Since it allowed for the study of gloomy ideas, writing, and topics, Dark Romanticism had a huge effect on American literature. Dark Romanticism began as a response to the Transcendental movement of the mid-nineteenth century.
Portraits in the Renaissance era didn’t just hang on walls, but were often concealed behind painted panels, shutters, or contained in boxes. “Hidden Faces” at the Metropolitan Museum of Art ...
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