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Bühnendeutsch (German: [ˈbyːnənˌdɔʏtʃ], "stage German") or Bühnenaussprache (IPA: [ˈbyːnənˌʔaʊsʃpʁaːxə] ⓘ, "stage pronunciation") is a unified set of pronunciation rules for the German literary language used in the theatre of the German Sprachraum. Established in the 19th century, [1] it came to be considered pure High German.
Brecht himself translated the term as learning-play, [1] emphasizing the aspect of learning through participation, whereas the German term could be understood as teaching-play. Reiner Steinweg goes so far as to suggest adopting a term coined by the Brazilian avant garde theatre director Zé Celso , Theatre of Discovery , as being even clearer.
Sitzprobe: (German-lit. "seated rehearsal") a term used in musical theatre and opera to describe a seated rehearsal, without blocking or dance, where the singers sing with the full pit or orchestra, with focus on integration of instrument and voice. It is often the first rehearsal where the complete orchestra and singers rehearse together and ...
Regietheater (German: [ʁeˈʒiːteˌaːtɐ] ⓘ; German for director's theater) is the modern practice of allowing a director freedom in devising the way a given opera or play is staged so that the creator's original, specific intentions or stage directions (where supplied) can be changed, together with major elements of geographical location ...
These German playwrights and many others explored and evolved expressionist theatre and drama until the movement faded in popularity throughout Germany by 1924. [2] In the 1920s theatrical expressionism became very popular in the United States among audiences and artists alike.
In opera and musical theatre, a Sitzprobe (German: [ˈzɪtspʁoːbə], 'seated rehearsal') is a rehearsal where the singers sing with the orchestra, focusing attention on integrating the two groups. It is often the first rehearsal where the orchestra and singers rehearse together.
Epic theatre (German: episches Theater) is a theatrical movement that arose in the early to mid-20th century from the theories and practice of a number of theatre practitioners who responded to the political climate of the time through the creation of new political dramas.
Woyzeck (German pronunciation: [ˈvɔʏtsɛk]) is a stage play written by Georg Büchner. Büchner wrote the play between July and October 1836, yet left it incomplete at his death in February 1837. Büchner wrote the play between July and October 1836, yet left it incomplete at his death in February 1837.
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