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Women's apparel in the late 1980s included jackets (both cropped and long), coats (both cloth and fake fur), reversible inside-out coats (leather on one side, fake fur on the other), rugby sweatshirts, [11] sweater dresses, taffeta and pouf dresses, baby doll dresses worn with capri leggings or bike shorts, slouch socks, and Keds or Sperrys or ...
American entertainer Jennifer Lopez wore a green Versace silk chiffon dress to the 42nd Grammy Awards ceremony on February 23, 2000. The sheer fabric was printed with a tropical leaf and bamboo pattern, and cut with a very low neckline that extended well past Lopez's navel, while the waist of the dress was studded with citrines.
A young woman wearing a wrap dress. Starting in 1975, women's semi-formal wear became more tailored and sharp. This included a lot of layering, with women wearing two blouses at once, multiple sweaters, pants underneath tunic dresses, and jumpers worn over long, fitted dresses.
Madeleine Vionnet (pronounced [ma.dÉ™.lÉ›n vjÉ”.ne]; June 22, 1876, Loiret, France – March 2, 1975) was a French fashion designer best known for being the “pioneer of the bias cut dress”, [1] [2] Vionnet trained in London before returning to France to establish her first fashion house in Paris in 1912.
[1] [2] The female traditional dress is called kira; a rachu is worn over the traditional dress kira. [1] [3] The rank and social class of the bearer determines the permissible color of the scarf: [4] [2] [5] [6] Saffron scarf for the Druk Gyalpo (king) and the Je Khenpo (chief abbot). Orange scarf for Lyonpos (ministers and other members of ...
French afternoon dress, circa 1903, cotton and silk, Metropolitan Museum of Art (New York City) In the early twentieth century, the look popularized by the Gibson Girl was fashionable. [54] The upper part of women's dresses in the Edwardian era included a "pigeon breast" look that gave way to a corseted waist and an s-shaped silhouette. [54]
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