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Establishing and maintaining an art gallery to perpetuate, protect, enhance and promote the artistic and cultural legacy of nature-inspired artists, including Robert Bateman. Supporting or developing educational programs relating to the environment and nature-inspired artists. Robert Bateman is already aligned with child-in-nature philosophies.
Marianne North (24 October 1830 – 30 August 1890) was a prolific English Victorian biologist and botanical artist, notable for her plant and landscape paintings, her extensive foreign travels, her writings, her plant discoveries and the creation of her gallery at the Royal Botanic Gardens, Kew.
According to Earl E. Powell, this is particularly visible in paintings by John Frederick Kensett, who shifted the visual concern for landscape to an interest in quietism, making pictures of mood that depict a poetic experience of nature. Furthermore, his painting Shrewsbury River “reduces nature to cryptographic essentials of composition ...
Wheat Fields is a series of dozens of paintings by Dutch Post-Impressionist artist Vincent van Gogh, products of his religious studies and sermons, connection to nature, appreciation of manual laborers and desire to provide a means of offering comfort to others.
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
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He paints, not nature according to Mr. Church, but simply nature. His eye, like every other man's, is a camera with a brain behind it; but his brain gives him the power to transfer to canvas the vanishing forms and tints and shadows thrown upon his eye, unaffected by the medium through which they have passed, except by selection, combination ...