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Witherspoon's style of blues—as a "blues shouter"—became unfashionable in the mid-1950s, but he returned to popularity with his 1959 album Jimmy Witherspoon at the Monterey Jazz Festival, which featured Roy Eldridge, Woody Herman, Ben Webster, Coleman Hawkins, Earl Hines, and Mel Lewis. [9]
Midnight Lady Called the Blues is an album by the American musician Jimmy Witherspoon, released in 1986. [2] [3] It was recorded shortly after Witherspoon recovered from throat cancer. [4] Midnight Lady Called the Blues was dedicated to Big Joe Turner. [5] The album was nominated for a Grammy Award for "Best Jazz Vocal Performance, Male". [6]
Thomas Ward reviewed the album for Allmusic and described The Blues Is Now as "arguably the finest" of Witherspoon's Verve albums and described his voice as "...in top form and hugely expressive. ...A light-night blues classic, this is Witherspoon at his most relaxed and assured and is a joy to listen to". [2]
[1] [3] In 1947, the song was revived by the jump blues singer Jimmy Witherspoon as "Ain't Nobody's Business". [4] It was the best-selling race record of 1949 [5] and inspired numerous adaptations of the song. [1] In 2011, Witherspoon's rendition was inducted into the Blues Foundation Hall of Fame as a "Classic of Blues Recording". [4]
Thomas Ward of AllMusic stated, "The finest collection of Jimmy Witherspoon's gospel songs, Feelin' the Spirit is an essential addition to any Witherspoon collection. ... Witherspoon's voice and style are so distinctive that they make these songs seem new ...
Top Jimmy & the Rhythm Pigs "Don't Go No Further" Muddy Waters: 1956 The Doors, B.B. King, John P. Hammond "Don't You Tell Me Nothin'" Willie Dixon: 1986 used in the film The Color of Money "Down in the Bottom" Howlin' Wolf: 1961 Bill Wyman's Rhythm Kings, John P. Hammond, Siegel–Schwall Band, Barry McGuire "Eternity" Grateful Dead: 1992
(Top) 1 Reception. 2 Track listing. 3 Personnel. 4 References. Toggle the table of contents. ... Evenin' Blues is a studio album by blues vocalist Jimmy Witherspoon, ...
Guilty! was released in 1971 to poor sales. [6] In a contemporary review for The Village Voice, Robert Christgau gave it a B-plus grade and found it "good in the casual dumb Burdon way, with sloppy interpretation balanced out by brilliant song choice (Chuck Berry's 'Have Mercy, Judge'), sloppy arrangements saved by a brilliant young guitarist (John Sterling)."