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The title is sometimes given as "Take Your Burden to the Lord and Leave It There" or as "Take Your Burden to the Lord" or as "Take Your Burden", words taken from the song's refrain; the plurals "burdens" and "them" are sometimes used, and "God" instead of "the Lord": [3]
As the song's narrator, Paul Williams, promises his lover, in his trademark gritty tone: If you just put your hand in mine We're gonna leave all your troubles behind keep on walkin' and don't look back. Smokey Robinson, the song's producer, specifically assigned Paul Williams to sing lead on the song.
All tracks composed and arranged by Blues Image "Take Me to the Sunrise" - 4:10 "Leaving My Troubles Behind" - 3:45 "Outside Was Night" - 3:44 "In Front Behind You" - 3:10
The "Keep 'Em Smiling" song sheet produced by the Indianapolis War Camp Community Service in 1917/18, including "Pack Up Your Troubles in Your Old Kit-Bag" "Pack Up Your Troubles in Your Old Kit-Bag, and Smile, Smile, Smile" is the full name of a World War I marching song, published in 1915 in London.
"Down by the Riverside" (also known as "Ain't Gonna Study War No More" and "Gonna lay down my burden") is an African-American spiritual.Its roots date back to before the American Civil War, [1] though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. [2]
"You've Got Your Troubles" was the inaugural composition by the prolific songwriting team of Roger Cook and Roger Greenaway in 1964. "You've Got Your Troubles" became a number 2 UK hit for the Fortunes in the United Kingdom in August 1965, [2] affording the group international success including a Top Ten ranking in the US. [3]
Forever Changes is the third studio album by the American rock band Love, released on November 1, 1967, by Elektra Records. [6] The album saw the group embrace a subtler folk-influenced sound based around acoustic guitars and orchestral arrangements, while primary songwriter Arthur Lee explored darker themes alluding to mortality and his growing disillusionment with the era's counterculture.